what if a manual WB is chosen and a -magenta is entered (i don't think most of calibrated in CC)? will this give a similar result?
for example, Sony will allow such a compensation. i have already, through my raw processing, set this as my standard, as i shot at one temperature with -magenta, and then adjust the proper temperature during raw processing.
At a first glance, presuming the filter blocks only the green channel, this means that the red and the blue channels should be exposed one stop better. However, the blue and red channels are sensitive to a pretty wide range of spectrum. That's why the actual per channel exposures were changed less than that, as it is obvious when looking at the white balance coefficients.
what if a manual WB is chosen and a -magenta is entered (i don't think most of calibrated in CC)? will this give a similar result?
for example, Sony will allow such a compensation. i have already, through my raw processing, set this as my standard, as i shot at one temperature with -magenta, and then adjust the proper temperature during raw processing.
At a first glance, presuming the filter blocks only the green channel, this means that the red and the blue channels should be exposed one stop better. However, the blue and red channels are sensitive to a pretty wide range of spectrum. That's why the actual per channel exposures were changed less than that, as it is obvious when looking at the white balance coefficients.